Do they really need this cue in here? Or maybe we don’t need music here it’s always a mental debate. It’s a lot of mental work-getting into the ‘mind’ of the characters, the mind of the director and thought behind the screenplay. The film makes a good portrayal of the spirit of the times, and there were many moments in the film I could swear were possible in real life.ĭid you easily figure out the musical direction you wanted for the film after viewing it? Of course, we know there’s a love tandem but when people see it, they’ll realise what that is I’m trying to point out.
#Kung paano siya nawala hd movie#
it wasn’t trying to hard-sell a pigeonholed idea of the movie which isn’t a bad thing at all. My first impression was I couldn’t tell what genre it was. What was your first impression of the film?
#Kung paano siya nawala hd full#
They always give their collaborators full creative freedom which I appreciate very much.Ī post shared by armimillare on at 1:02am PDT They’re relentless but subtle and they have this fantastic work ethic. Of course I said yes instantly and waited patiently for this project as I loved working with Joel and Arkeo. After working with Joel on his last film ( The End is Bigger Than Love), he said he still wanted to work together for a full-length film.
But can you please tell me how you got on board? In an article, you mentioned that this film is some sort of reunion with director Joel Ruiz and Arkeo Films. have been writing new music for other projects as well. I think I’m “back” tying loose ends for the new-old UDD album. How are you? What have you been busy with lately?
We talk to Armi about the importance of music in film, her creative process, and the long journey of the song “Anino.” Joel, the director behind the viral #KwentongJollibee ads, describes the film as “a contemporary urban love story about letting go.” The film explores how the shy Lio (JM de Guzman), diagnosed with a condition called prosopagnasia or face blindness, falls in love with the outgoing Shana (Rhian Ramos).Īs they say, sound is half the picture. Three years later, Armi reunites with Arkeo Films for Joel Ruiz’s feature film Kung Paano Siya Nawala. In the same year, she also scored and wrote a new song, “Young Again,” for Mario Cornejo’s Apocalypse Child. In 2015, her version of Sampaguita’s “Tao” aptly ended Erik Matti’s Honor Thy Father. “Tadhana,” another fan favorite, was used as theme song for 2014 romantic comedy film Antoinette Jadaone’s That Thing Called Tadhana. Because of that, her music-as it should-allows us to experience joys and pains vicariously.Įventually, the voice that made us feel things found its way to the silver screen. The magic lies in Armi’s ability to move emotions through her affecting vocals and visceral songwriting. “Oo,” one of UDD’s earliest and most famous hits, still resonates with listeners 10 years later. For years, her music has been a reliable part of the airwaves, our playlists, and our go-to karaoke songs. Armi Millare is an indelible force in the OPM industry.
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